Living Room Series



ABOUT THE LIVING ROOM SERIES 

Given the current restrictions on live performances in Los Angeles, the Fall lineup of LRS will be produced digitally and streamed for your enjoyment!

Now in its 30th year, The Living Room Series is a New Play Development program embodying The Blank’s commitment to developing new work by diverse voices from both established and emerging writers. Submissions by women, playwrights of color, and other under-represented voices are strongly encouraged. The Blank is firmly committed to supporting gender parity and diversity.

The Living Room Series (LRS) normally takes place on Monday evenings between Labor Day and Memorial Day at our 2nd Stage Theatre in Hollywood. LRS offers a week-long rehearsal process for the playwright, director, and actors to explore and refine the play before presenting it to an audience.

The performances are minimally staged, with actors carrying scripts, and are a wonderful opportunity for the playwright to get a sense of the play’s full potential.

LIVING ROOM SERIES INFO

All performances for the Fall 2020 and Spring 2021 will occur online.

Normally, live performances begin at 8:00pm and take place at
The Blank’s 2nd Stage Theatre
6500 Santa Monica Blvd, Hollywood
unless otherwise noted.

For reservations click on the link below each play description.

You have the option to donate in advance.  Every donation counts for both your taxes and our theatre magic.

 

LIVING ROOM SERIES SCHEDULE:


January 25, 2021

HARD ON LOVE

Written by Scott Barry
Directed by Jonathan Cerullo

Synopsis: Born and raised in the geographic center of the U.S., Prairie View, Kansas, Steve now lives in NY. Scott lives in LA. Their stories mirror each other, often word for word, with variances for their sexualities and environments, as they desperately try to find love and heal themselves after experiencing the sudden inability to achieve an erection.    

Writer Bio: Scott Barry is a produced playwright, screenwriter, and published author. His credits include the plays Answer Man (Complex Theater, Los Angeles), Looking Up the Downside (Second Stage, Los Angeles, Magic Theater, San Francisco), Sermon in the Suicide (Strasberg Theater, Los Angeles) and the solo shows, Who’s Frank? (Second Stage) and Solo Gig Squared (Second Stage, LA, and Il Teatro 450, San Francisco). Solo Gig Squared was called a “Beautifully written and constructed jazz riff,” SF Guardian, and a “Brilliant Joycean reverie,” SF Bay Times. With his signature brutal honesty and self-effacing humor, Mr. Barry most recently chronicled his battle with the ultimate male taboo in his one-man show, RISE (Exit Theatre, San Francisco). San Francisco Weekly declared RISE a “Seriously entertaining late-night confession,” and the San Francisco Examiner, “Strikes at the heart of our being.” Mr. Barry adapted Solo Gig Squared into a book, published under the title, The Greener the Grass, by Happy Living Independent Publishers. He also recently published his first collection of short stories, Hunting Everett Redding. His screenwriting credits include the short film, Answer Man (New York International Independent Film Festival) and the indie thriller Tunnel Vision (Urbanworld Film Festival). He adapted the nonfiction book Tragic Indifference into the screenplay, Rollover, optioned by Academy Award winning actor/producer, Michael Douglas, and the bestselling novel, The Green, for New York based Hawker Entertainment. Mr. Barry holds a bachelor of science in engineering from the University of California, Davis.  

CLICK HERE TO REGISTER FOR YOUR WATCH CODE!

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February 8, 2021

NORTH AVENUE

Written by Christopher Kess
Directed by Shelli Boone

Synopsis: To help rebuild his impoverished neighborhood, a young pastor must decide between easy money and the will of the community.

Writer Bio: Christopher A. Kess is a writer and actor with credits from several college andprofessional theatrical productions. His play, ​Silenced Night​, a one-act, was given astaged reading at the Midwest Dramatists Conference in September, 2019. He mostrecently appeared on stage in Laurel Mill Playhouse’s production of “The UnexpectedGuest” in January 2020, in Laurel, Maryland.Chris is the co-founder of Under the Baobab Tree Writers’ Workshop (Twitter:@baobabwriters), an online writing collective for Black writers. He occasionally blogs atchristopherkess.com and his handle on both Twitter and Instagram is@kesschristopher.He resides in suburban Baltimore, Maryland.

CLICK HERE TO REGISTER FOR YOUR WATCH CODE!

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February 22, 2021

THE PEDO PUNCHERS PLAY

Written by Bailey Jordan Garcia
Directed by Bree Pavey

Synopsis: In the darkest corners of the internet lurk the worst that humanity has to offer — as well as the self-appointed guardians who bait and “catch” them in the name of justice, right, and views on Youtube. The Pedo Punchers, college-aged kids in a middle-of-the-middle-of-Texas town, lure men off of Grindr by pretending to be underaged boys, then meet them at the local Walmart where they livestream and expose these “pedos” on camera to their thousands of followers. Yet the Punchers themselves are a tangled mess of questionable motivations, naked ambition, and homophobia. This dark tragicomedy peeks behind the curtain of modern-day vigilantism and asks if good things can come from bad intentions.

Writer Bio: BAILEY JORDAN GARCIA is a NYC-based playwright and actor currently working towards a BFA in Playwriting from The New School. While still just at the beginning of their career, they’ve been fortunate that her work has garnered interest from the theatre community. They became a winner of The Young Playwrights Festival with the Blank Theatre in 2020 with their piece What to Expect When You’re Expecting Our Lord and Savior (a play that also won “Best Play” at the 2020 Players Theatre Short Play Festival). Their full-length play Tvilah (or Arriving Where She Left) received a reading with The Bechdel Group in the fall of 2019 and has a production lined up for 2021! Their new play, Eternal Contrast, just had a workshopped reading at The New School. They’ve also gotten the chance to learn and/or work alongside playwrights like Young Jean Lee, Laura Maria Censabella, Katie Pearl, Daniel Alexander Jones, Nick Pappas, and the documentary theatre group, The Civilians. When they aren’t writing or seeing as much theatre as humanly possible, Bailey can usually be found at Bethesda Fountain, cuddling with their 3-legged pup, or talking your ear off about Angels in America. baileyjordangarcia.com

CLICK HERE TO REGISTER FOR YOUR WATCH CODE!

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March 22, 2021

11 SECONDS (AKIRA KUROSAWA IN HELL)

Written by Karen Huie
Directed by TBD

Synopsis: Akira Kurosawa’s first color film is dismissed by critics. The reknowned director of “Rashomon”, “Seven Samurai” and “The Hidden Fortress” (on which “Star Wars” is based), is shunted for funding and chooses suicide. When Akira was seventeen, his older brother, a narrator of silent Japanese films committed suicide when sound destroyed his career. He was twenty-three. Akira arrives in Meido, Japanese Hell, where his fate is to be determined when he has paid for all his sins. He is desperate to find his brother; he would understand. But he is paired with Toshiro Mifune, with whom he had a falling out after making sixteen successful films together. They must find a way to get through the three gates of hell in order to reach the Pureland/Redemption. 

Writer Bio: Karen Huie is an actor/writer/Voiceover artist. Scenes from her plays, “Yasuko and the Young Samurai” and “Songs of Harmony” were published in v.1, 2 of “Multicultural Theatre”, ed. Ellis. “Maiden Voyages” and “Songs of Harmony” were produced at the Stockton Civic Theatre. “Songs of Harmony ”, produced at East West Players in Los Angeles attained her a sitcom pilot deal from Castle Rock Entertainment (Seinfeld) and CBS. “Return from Gold Mountain” was presented at East West Players and Ensemble Studio Theatre, both in Los Angeles. She is a member of the Writers Guild and Antaeus Playwrights Lab. She is a member of the WGAw and the DG.

CLICK HERE TO REGISTER FOR YOUR WATCH CODE!

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April 5, 2021

QUIK-MART

Written by Charles Gershman
Directed by TBD

Synopsis: We’re in New York City in the future. Climate refugee Abdullah and his wife and son operate a bodega in upper Manhattan. When a refugee from a different land tries to buy out his shop, a strange negotiation erupts as the realities of a changing planet bear down on a new kind of immigrant.

Writer Bio: Charles Gershman (he/they) is a Midwest-bred queer playwright/TV writer. He is a Dramatists Guild Foundation Playwriting Fellow, a 2019 Chesley/Bumbalo Playwriting Award winner, and a 2019 Relentless Award Semifinalist. His award-winning play The Waiting Game premiered at 59E59 Theaters in 2019. His play Free & Proud recently had an acclaimed run in the UK (Edinburgh Fringe, Theatre503), where it was nominated for the Amnesty International Freedom of Expression Award and the SIT-Up Award and called ‘One of 10 must-see queer shows in town’ (London Evening Standard). It is published by Oberon Books (UK). In the DGF Fellows Program he has been developing an untitled new play about a modern family and their foster teen, with mentorship from Diana Son. Other plays are currently being developed with support from The New Group, All For One, the Flea Theater, and the Lark. Charles earned an MFA in dramatic writing at NYU’s Tisch School of the Arts in 2018 and a BA in history at Columbia University. He is a member of the BMI Lehman-Engel Musical Theatre Workshop and has been a teaching artist at several colleges, including The New School’s Eugene Lang College, where two of his plays are regularly taught in an undergraduate playwriting class on adaptation. He is repped by Susan Gurman (gurmanagency.com). Website: www.charlesgershman.com

CLICK HERE TO REGISTER FOR YOUR WATCH CODE!
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LIVING ROOM SERIES SUBMISSION GUIDELINES

The submission period for our 31st season will open in summer 2021.

All submissions must be done via Submittable.

SUBMISSION ELIGIBILITY

  • Submission must be full-length (we regret that one-acts or ten-minutes will not be considered at this time).
  • Submission must not have received a full production. Submissions that have received full productions, even if they have undergone significant post-production revisions, will not be considered. The Blank considers staged readings and academic productions exceptions to this rule.
  • Playwright may only submit one script per submission period.
  • If a script was declined for a prior season, please note what significant revisions have been made (in your Artistic Statement).
  • Materials must be submitted as PDFs. For information on how to create a pdf, please visit: http://www.wikihow.com/Create-PDF-Files.